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She began to show interest in music at the age of nine, and Shania Twain wound up as her biggest formative influence.

Swift started to work regularly at local talent contests, eventually winning a chance to open for Charlie Daniels.

Following a 2011 live album called World Tour Live: Speak Now, Swift turned toward following a pop path on her fourth album, hiring such mainstream musicians as Dan Wilson, Butch Walker, and Britney Spears producer Max Martin.

This mainstream pulse was evident on "We Are Never Ever Getting Back Together," the first single from Red.

Upon its October 2012 release, Red shattered expectations by selling over a million copies in its first week, a notable achievement that was doubly impressive in an era of declining sales.

Once again, Swift's album had legs: it was certified platinum four times in the U. and its international sales outstripped those of Speak Now.

Along with the success came some headlines, first in the form of an infamous appearance at the 2009 MTV Video Music Awards where her acceptance speech was interrupted by Kanye West, who burst on-stage to declare that Swift's rival Beyoncé deserved the award more, but her romances also started gaining attention, notably a liaison with Twilight star Taylor Lautner, who appeared with the singer in the 2009 film Valentine's Day.

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Other singers performed similar moves -- notably, Dolly Parton and Willie Nelson both became enduring mainstream icons based on their '70s work -- but Swift shed her country roots like they were a second skin; it was a necessary molting to reveal she was perhaps the sharpest, savviest populist singer/songwriter of her generation, one who could harness the Zeitgeist and turn it personal and, just as impressively, perform the reverse.

These skills were evident on her earliest hits, especially the neo-tribute "Tim Mc Graw," but her second album, 2008's Fearless, showcased a songwriter discovering who she was and, in the process, finding a mass audience.

Things started moving swiftly once Swift came to the attention of Scott Borchetta, a former Dream Works Records exec about to launch Big Machine Records.

Borchetta saw Swift perform at a songwriters showcase at the Bluebird Cafe and he signed her to Big Machine in 2005; shortly afterward, she started work on her debut with producer Nathan Chapman, who'd previously helmed demos for Taylor.